By William Holland
During this 19th-century novel, Maggie Tulliver breaks off her romance with the fellow she loves, after she discovers that it used to be he who ruined her family's small mill company. She runs off along with her cousin's fiance, reconsiders, repents, and returns. however it is simply too past due.
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Tulliver is instantly certain the girl has drowned in the pond. But Tom suggests that she may have gone home, and they set out to look for her. Commentary Maggie’s imagination is again contrasted with Tom’s factual approach to life. ” This is not so much hypocrisy as simple blind egoism. This egoism compares closely with that of Mrs. Tulliver, who sees all things only as they affect her, even the actions of her children. ” Lucy’s personality thus far consists mainly of her innocence and beauty.
Then Mr. Glegg agrees that it is useless to save the furniture when the law debts remain. At last Maggie angrily demands why they interfere if they don’t mean to help. ” Mrs. Moss comes in and goes at once to the children. She discloses that she has three hundred pounds of theirs and is The Mill on the Floss 53 incapable of repaying it without being “sold up” herself. This was unknown to the family, and they inquire for details. Mr. Glegg warns that if there is a note, the creditors will force payment.
Philip is a small, deformed youth with a hump as the result of a childhood accident. Tom feels an aversion to him, and Philip is too proud and timid to speak, so they are both silent until Tom sees the pictures which Philip is drawing. He is struck with admiration for their realism. They begin to talk, and Philip says that he has taught himself drawing and that he likes Latin. He tells Tom that the Greeks were “great fighters,” and Tom is eager to hear stories of heroes. Wishing to even the balance, Tom tells Philip that he “thrashed all the fellows at Jacobs’” and allows himself to feel superior because Philip does not like fighting.