By Prof. Yunhe Pan (auth.)
"Cultural Composition" discusses the intrinsic dating among tradition imagery and visible expression, and for the 1st time proposed the strategies and techniques that take tradition as a few layout parts. Recursive mathematical good judgment is brought to solve the dynamic structure of tradition parts. The multi-level distribution of cultural parts has been proven, the thing of which might be sophisticated as ICON. tradition is streamlined for ICON with a view to let it for use in an inventive method. With a cultural photograph mapping, ICON conjures up the values of identification from the depths of feeling, making items unending fascinating. The proposition of "Cultural Composition" stumbled on the legislations how tradition seems and adjustments in layout.
"Cultural Composition" takes chinese language tradition to illustrate, via thousands of illustrations, enumerated a good number of layout paintings which comprise usual tradition components, displaying how tradition parts appeals in daily-use issues intuitively. It has either excessive concept price and sensible worth.
Prof. Yunhe Pan is a member of chinese language Academy of Engineering, and likewise a professor on the university of laptop technology and know-how, Zhejiang collage, China. His examine region contains electronic maintenance for cultural heritages, electronic library, and clever human animation.
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Extra info for Cultural Composition
Later on, seals were no longer exclusively used by the royal court, and were accepted by common people, especially painters. They used seals at ﬁrst, but around the end of the Yuan Dynasty and the beginning of the Ming Dynasty (14th century), some calligraphers and painters began to select stone on which they carved characters. As a result, the art of seal cutting came into being. Nowadays, seal cutting has become a basic skill for calligraphers. In some calligraphers’ associations and calligraphy exhibitions, seal cutting is an indispensable part.
Placed in the Fengxian Temple, Longmen Grottoes, Luoyang City, Henan Province, it was sponsored by Tang Empress Wu Zetian in 672. The Lushena Buddha is the reincarnation of Sakyamuni. 14 meters high, and its head alone is 4 meters high. This stone sculpture is a most extraordinary work of Chinese Buddha sculpture. Standing beside it, there are Kasyapa, Ananda, Manjusri and Samantabhadra. 42 3 Elements of Culture b. Painted Sculpture of Ananda, a renowned painted sculpture of the Tang Dynasty in the Mogao Grottoes.
Its exaggerated realistic style resembles the style of Greek sculpture. j. Made during the reign of the Qianlong Emperor of the Qing Dynasty, Copper Sculpture of Maitreya Buddha. 46 3 Elements of Culture k. Stone Sculpture of the Laughing Buddha (Manjusri Buddha), made in 964 placed in FeiLai Mountain of Hangzhou lity. The antitype of Maitreya is ĀThe Cloth-Bag Monkā in Yuelin Temple, Fenghua louaty in the late Tang Dynasty. Ever since the Northern Song Dynasty, it has become the reincarnation of maitreya, symbolizing happiness and magnanimoasness.